Gustavo Gimeno’s tenure as the tenth Music Director of the Toronto Symphony Orchestra began in 2020/21.
Since his appointment, he has reinvigorated the artistic profile of the Orchestra, engaged with musicians and audiences alike, and brought performances of familiar works as well as some of today’s freshest sounds. Further, he has overseen renewed community engagement and sown the seeds for an ambitious program of commissioning new works from emerging and established composers.
During the 2023/24 season, Gimeno and the TSO usher in a bold new beginning for the Orchestra in its 101st year, with major symphonic works—including Mahler’s Symphony No. 3, Brahms’s Symphony No. 1, Respighi’s Pines of Rome, and Stravinsky’s The Rite of Spring and Pulcinella—presented alongside an unprecedented number of pieces never before performed by the TSO. Gimeno will share the stage with, among other soloists, Daniil Trifonov, James Ehnes, Emily D’Angelo, Frank Peter Zimmermann, and Jean-Yves Thibaudet.
February 2024 will see the release of the first commercial recording Gimeno and the TSO made together, in May 2023, memorializing Messiaen’s Turangalîla-Symphonie under the Harmonia Mundi label. This builds on Gimeno’s relationship with the label, for which he has recorded Rossini’s Stabat Mater, Puccini’s Messa di Gloria, and Stravinsky’s ballets The Firebird and Apollon musagète with Orchestre Philharmonique du Luxembourg.
Gimeno has held the position of Music Director with Orchestre Philharmonique du Luxembourg since 2015, and will become Music Director of Teatro Real in Madrid in 2025/26—he currently serves as their Music Director Designate. As an opera conductor, he has appeared at renowned houses such as the Liceu Opera Barcelona; Opernhaus Zürich; Palau de les Arts Reina Sofia, Valencia; and Teatro Real, Madrid. He is also much sought-after as a symphonic guest conductor worldwide: in 2023/24 he returns to orchestras such as London Philharmonic Orchestra, Royal Concertgebouworkest, Los Angeles Philharmonic, San Francisco Symphony, NSO Washington, Dallas and Cincinnati symphony orchestras.
This is a city where every neighborhood feels like a unique slice of the world, which means there are endless moments of inspiration from these cultures that need to be a part of how we present our music,” said Gimeno. “I can’t wait to get started.