Noteworthy

Currently one of the most exciting young conductors in the classical music world, Tarmo Peltokoski is known for his versatility, insightful interpretations, and remarkable talent as both a conductor and a pianist. He serves as Music and Artistic Director of the Latvian National Symphony Orchestra and has recently been named Music Director Designate of the Hong Kong Philharmonic Orchestra. He is also currently Principal Guest Conductor at The Deutsche Kammerphilharmonie Bremen, Principal Guest Conductor at Rotterdams Philharmonisch Orkest and Music Director Designate at Orchestre National du Capitole de Toulouse.  At just 24 years old, Peltokoski has built a career that already includes leading performances with some of the world’s most renowned orchestras and soloists, as well as a recording contract with Deutsche Grammophon.

Returning to the TSO after his 2023 début, Peltokoski will lead a program featuring Sibelius’s Pohjola’s Daughter, Tchaikovsky’s Violin Concerto with celebrated violinist Sergey Khachatryan, and Vaughan Williams’s Symphony No. 4. Ahead of his highly anticipated performances, he shared his thoughts on music, travel, and the moments that have shaped his artistry.

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Everything in my life has to fit around the music. When I come home, I try to see friends. If I don’t, I’m sad. If I do, it’s a joy.

I really want to see Niagara Falls. The last time I was in Toronto, I didn’t get to go. Sibelius once said that, of everything he’d experienced, it came the closest to religion—even closer than music. In contrast, Mahler saw the falls and simply declared, “Finally, fortissimo,” before walking away. 

I shouldn’t complain, though I do. This is what I always wanted to do. I worked hard to make it happen. So even when it’s tough, I try to remind myself to be thankful. 

I became obsessed with Wagner when I was 11. At that age, it wasn’t about ambition—it was fascination. Conducting became serious for me around 16. My breakthrough happened with the Deutsche Kammerphilharmonie Bremen three years ago. Since then, I’ve stood on some of the most magical stages: the Wiener Musikverein, Royal Albert Hall, and others. Performing at these venues feels almost holy.

Inspiration? It comes from the music. From the history behind it, the composers’ lives, and sometimes personal associations. I’ve been fortunate to conduct many of my favourite works, though opera is something I’d love to do more of in the future.

I’m excited to return to Toronto. It’s a huge city by European standards but, as a Finn, it feels homey because of the wintry weather. 

I wish I could play all instruments—not only the piano—but I don’t. I’ve taken lessons on another one, but what it is will remain a secret.

As a musician, I’m supposed to believe in the power of music, and I do, but I’m not sure it can solve societal problems. It’s deeply personal and can certainly change things—it can heal, evoke memories, and bring people together in meaningful ways.

Travelling is a pain—it’s horrible—but being in other places is eye-opening. I don’t have special travel routines. I read, listen to music, and prepare for what’s next. The music I listen to is usually something I need to conduct soon.

I’ll always love snow. Spending time in less wintry places makes me miss it.

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See Tarmo Peltokoski with the Toronto Symphony Orchestra:

Tchaikovsky & Vaughan Williams
Fri, Jan 31–Sat, Feb 1, 2025
Roy Thomson Hall
Featuring Sergey Khachatryan, violin

Program:
Sibelius: Pohjola’s Daughter
Tchaikovsky: Violin Concerto
Vaughan Williams: Symphony No. 4

Discover where music and life intersect in Intermezzo as we bring you closer to the artists who shape the TSO experience. Keep an eye out for more of these insightful conversations.