Explore the Score 2025/26
Orchestral Composition Reading & Career-Development Session
The submission deadline for this year has now passed.
The Toronto Symphony Orchestra, in collaboration with the Canadian Music Centre (CMC), is pleased to offer Explore the Score, an annual orchestral composition reading and career development session for early-career Canadian composers hosted by the TSO RBC Affiliate Composer Liam Ritz. This program offers composers the opportunity to hear their works rehearsed in a professional orchestral setting while also receiving valuable feedback from TSO musicians, composers, and staff. The 25/26 Explore the Score composers are Massimo Guida, Dmytro Kyryliv, Michele Selvaggi, and Yuhan Zhou. Their works will be conducted by TSO Resident Conductor Nicholas Sharma. The Guest Composer for the 25/26 Explore the Score will be Linda Catlin Smith.
2025/26 Guest Composer
Linda Catlin Smith
Linda Catlin Smith grew up in New York and lives in Toronto. Her music has been performed by: Vancouver and Victoria Symphony Orchestras, Tafelmusik, BBC Scottish Orchestra, Tectonics Festival (Glasgow), and many others. Recordings include: The Plains with Cheryl Duvall, (nominated for a Juno award this year), Dark Flower with Thin Edge Collective, Thought and Desire, with Eve Egoyan, and six recordings - Dirt Road, Drifter, Wanderer, Among the Tarnished Stars (with Messiaen's Quartet for the End of Time) and Ballad, Flowers of Emptiness - with the label 'another timbre'. Her string trio Meadow and her choral work Folio were both recorded in Ireland by the Louth Contemporary Music Society. In 2019, her orchestral work, Nuages, (commissioned by the BBC Proms), was premiered by the BBC Scottish Orchestra at Royal Albert Hall, and received its Canadian premiere in 2023 with the Vancouver Symphony. Her works are available through Composers Edition and the Canadian Music Centre. In addition to composing, Linda has taught composition privately and at Wilfrid Laurier University (1999-2020). She was recently awarded honorary membership to the ISCM, and received an Honorary Doctorate in Music from the University of Victoria in 2023.
25/26 Explore the Score Composers
Massimo Guida
Toronto-based Italian-Canadian composer, theorist, educator, and copyist Massimo Guida was born in Modena, Italy; he completed his doctorate in composition at the University of Toronto in 2019. Described by La Scena Musicale in 2012 as a composer who writes with “a particularly strong melodic inspiration,” Massimo seeks to combine his fondness for melodic lyricism and storytelling through music with a contemporary musical language in his works. A multi-award-winning composer, in 2015 he won the Violet Archer Prize, for his song cycle Confessions (2014), and the Mississauga Festival Choir Competition for his choral work Infant Joy (2013), written for the birth of his nephew. Massimo’s compositions and arrangements have been performed in Canada, England, France, Germany, Italy, and South Korea, by artists including the Hamilton Philharmonic Orchestra, Scarborough Philharmonic Orchestra, Brantford Symphony Orchestra, North York Concert Orchestra, Fawn Chamber Creative, Slow Rise Music, Mississauga Festival Choir, Odin Quartet, Juno nominee Lindsay Schoolcraft, and pianist Alexander Panizza. His piano composition Fantasia Sopra Sei Temi di Puccini (2021) featured on Panizza’s 2024 album Everything Waits for the Lilacs. Massimo was a Composer Fellow for the Hamilton Philharmonic Orchestra’s 2024–25 season, and the Scarborough Philharmonic Orchestra New Generation Affiliate Composer during the 2020–21 season. An advocate for contemporary music in Canada, Massimo sat on the board of the Canadian League of Composers from 2020 to 2022. Outside of composition, Massimo is passionate about music analysis and education and works both as a copyist and as a guitar and music theory teacher.
Dmytro Kyryliv
Dmytro Kyryliv (Dima) is a composer, clarinetist and audio artist working across contemporary classical music, film, and video games. While remaining true to his artistic voice, his work has been recognized with prestigious awards such as the Arkady Fomin Scholarship and the Toronto Symphony Youth Orchestra Stingray Rising Stars Award.
Dmytro’s music has found international recognition and has been performed by talented musicians, ensembles, and orchestras at major festivals including the North Shore Chamber Music Festival and Wien Modern, as well as in renowned venues such as the Wiener Musikverein, ORF Radiokulturhaus, das MuTH, and Steinway Salon Vienna. As a performer, he has appeared with the Vienna Symphony Orchestra and the Toronto Symphony Orchestra, and is an alumnus of the Toronto Symphony Youth Orchestra.
Alongside his concert music, Dmytro is actively involved in media composition and sound design, creating soundtracks for film and video games. He currently works with OK_XR and Overscoped Studios, contributing as a composer and sound designer.
Born in 2002 in Ternopil, Ukraine, Dmytro holds a double Bachelor of Music degree with distinction in Music Composition and Clarinet Performance from the Music and Arts University of the City of Vienna, and is currently completing a Master’s degree in Music Technology & Digital Media at the University of Toronto, where he also works as a Teaching Assistant and Instructor.
Michele Selvaggi
Three-time SOCAN Award Winning composer Michele Selvaggi hails from the heart of downtown Toronto with strong Southern Italian roots, and has recently returned to Canada as a Basel-postgraduate and freelance musician. With “a compositional approach that is nourished by a special sonic apparatus” (Percorsi Musicali), Michele is concerned deeply with the physiological experience of sound, notably driven by their own existential confrontation with time’s passage. Their experimental work is intensely coloured by influences from earlier scientific engagement, resulting in noisy sonic topographies and detailed electroacoustic environments often shaded by their daily life living with demanding anxiety and OCD.
Michele has both received commissions from and collaborates recurrently with organizations scattered across Europe and North America, including the impuls Festival —at which they have premiered three chamber works—UdK Berlin, Museum Tinguely, CEAM Artists, Moscow Contemporary Music Ensemble, Redshift Music, New Music Concerts, Kamratōn Ensemble, the Eastman School of Music, and the Canadian Music Centre. They were notably the resident Lead Composer for Green Room Sound Collective’s virtual installation, “The Gallery”. Michele has also been the recipient of over 20 awards and prizes including the Musik-Akademie Basel’s 2025 Eduard Brunner Composition Prize, CEC’s Micheline Coulombe Saint-Marcoux Award, as well as a funded residency in Krakow through the Residency Prix CIME 2021. Their music has been included in the 2024 Canadian Section's official submission to World Music Days, won 3rd place in the CEC’s 25th Jeu de Temps, and led to nomination for a 2021 Rhodes Scholarship.
Yuhan Zhou
Yuhan Zhou is a composer, pianist, and producer based in Toronto, originally from China. She is currently completing her DMA in Composition at the University of Toronto. Her music draws from a wide range of influences, including Chinese opera, Asian philosophies, film scores, jazz, and literature, which she blends to create dynamic, narrative-driven compositions. Drawing from both these diverse influences and her own cultural heritage, her work merges the Western musical training she has received with the intuitive musical sense shaped by her Chinese roots.
The Orchestral Composition Reading & Career-Development Session will include
- A Library feedback session for selected composers hosted by Joseph Glaser at the Canadian Music Centre (CMC), Ontario office on Wednesday, December 8, 2025. The session will be led by TSO Principal Librarian Michael Macaulay. Composers will have the option to attend this session in person or virtually but are highly encouraged to attend in person.
- Explore the Score Reading Session with the TSO and Resident Conductor Nicholas Sharma on Saturday, March 14, 2026, at Roy Thomson Hall, from 10:00am to 12:30pm. Each work will receive a reading of approximately 25 minutes.
- Feedback session with TSO Guest Composer Francisco Coll, TSO Composer Advisor Emilie LeBel, TSO Affiliate Composer Liam Ritz, TSO Artistic staff, and TSO musician representatives on Saturday, March 14, 2026 (directly after the Reading Session). Composers will attend the reading session in person.
- A complimentary ticket to the TSO Masterworks concert Dvořák’s Cello on the evening of Saturday, March 14, 2026 featuring the North American premiere of Francisco Coll’s Lilith.
- An individual follow-up virtual mentorship session for each participant with TSO Affiliate Composer Liam Ritz.
- Composers will receive a copy of an archival recording of their work for their personal review and/or grant application purposes.
Eligibility
The Toronto Symphony Orchestra is committed to the support and development of orchestral repertoire that reflects the diversity of Canada. We welcome applications from diverse cultural and regional communities. Preference may be given to applicants who are members of one or more of the following groups: women, BIPOC persons, and persons with disabilities. Open to all Canadian composers (citizens, permanent residents), with no age restrictions.
- Works must not have been commissioned by a professional orchestra.
- Works that have already been professionally performed, or that are scheduled for an upcoming performance or another workshop opportunity by a professional orchestra are not eligible.
- We ask that all applicants disclose other professional orchestral programs in which they have participated, or are scheduled to participate (residencies, fellowships, readings, and so on).
- Previous participants of TSO Reading Sessions are not eligible.
- There is no duration limit, though shorter works (under eight minutes) will be given preference. An excerpt or movement from a longer work may also be submitted.
- Submissions should not exceed the following instrumentation: 3.3.3.3 – 4.3.3.1 – timp + 3 Perc – Hp – Kbd – Str (14.12.10.8.6). All standard orchestral doubling is available.
- Works requiring vocals or electronics are not eligible.
- Concertos are not eligible.
- The chosen composers are expected to attend all reading session activities. If a selected composer is unable to attend the reading, another composer’s work will be chosen.
- NB: The TSO does not provide travel or accommodation costs for composers to attend either the preparatory session with the TSO Library or the Orchestral Score Reading Session. The TSO can supply composers with invitation letters to support applications to travel grants.
Submission Guidelines
Composers are required to submit materials electronically. Please use the online submission form to provide the following:
- Score (PDF)
- Link to streaming audio/video, if available, of the submitted work. MIDI realizations are acceptable.
- Composer CV (5 pages maximum)
- Short statements in response to two questions
Submission Deadline
DEADLINE: Monday, October 27, 2025 The online form will be closed at midnight (11:59 pm EST)
Selection Process
- Up to four composers will be selected to participate in the TSO Orchestral Composition Reading & Career Development Session.
- The scores for the Reading Session will be chosen by a jury consisting of representatives from the TSO, and an external composer.
- Successful applicants will be notified by Wednesday, November 19, 2025.
Preparation of Scores and Parts for Orchestral Composition Reading Session
- Successful applicants will have the opportunity to meet with the TSO Principal Librarian Michael Macaulay and the TSO Affiliate Composer Liam Ritz at the Canadian Music Centre on Wednesday, December 8, 2025 at 10:00 AM. Composers will be asked to provide preliminary samples of score and parts (PDFs) in advance.
- The session will focus on best practices for score and part preparation, reviewing sample materials from participants and offering feedback to support composers in preparing their final score and parts.
- The successful applicant must be able to deliver parts and large-format conductor scores in PDF format by Monday, January 5, 2026. Parts and score should meet all professional standards as outlined by the TSO Library.
Important Dates
- Monday, October 27, 2025: Deadline for submissions
- Monday, November 24, 2025: Preliminary samples of score and parts (PDFs) due with the library
- Wednesday, December 8, 2025: Library session at the Canadian Music Centre (CMC)
- Monday, January 5, 2026: Final score and parts due in the library
- Saturday, March 14, 2026: Explore the Score Orchestral Reading Session
Additional Information
The TSO’s and CMC’s social media channels will be used to promote the selected composers. Members of the TSO’s and/or CMC’s marketing team may be at concerts, rehearsals, and in backstage areas photographing (no video or audio recording) and writing accounts of behind-the-scenes activities. Unless notified in writing that an Orchestral Composition Reading Session composer declines participation in the TSO’s social media initiative, the TSO is granted permission to capture their image for distribution on TSO social media channels, including (but not limited to) X, Instagram, and Facebook.
All inquiries should be sent to:
Marlena Pellegrino, New Music Coordinator
mpellegrino@tso.ca